Mitchell Johnson Archive

Press Clippings and Reviews from 1988-2024

Monday, August 31, 2020

New Yorker Back Cover August 31, 2020 (New Yorker ad #2)


 These paintings are sold.


Request an electronic catalog of available paintings: mitchell.catalog@gmail.com
Follow new paintings on Instagram.
Read Huff Post article.

Buy Mitchell Johnson book.
Mitchell Johnson at 3:12 PM No comments:
Share

Sunday, August 30, 2020

Ad #136 New York Times Women's T Fashion Magazine August 30, 2020




 



Mitchell Johnson at 3:33 PM No comments:
Share

Monday, August 17, 2020

New Yorker Magazine Back Cover August 17, 2020 (New Yorker ad #1)

 





These paintings are sold.

Request an electronic catalog of available paintings: mitchell.catalog@gmail.com
Follow new paintings on Instagram.
Read Huff Post article.

Buy Mitchell Johnson book.
Mitchell Johnson at 3:09 PM No comments:
Share

Sunday, August 9, 2020

Ad #135 New York Times Magazine Sunday August 9, 2020

 



This painting is sold.

Request an electronic catalog of available paintings: mitchell.catalog@gmail.com
Follow new paintings on Instagram.
Read Huff Post article.

Buy Mitchell Johnson book.
Mitchell Johnson at 2:35 PM No comments:
Share
‹
›
Home
View web version

About Mitchell Johnson

My photo
Mitchell Johnson
Mitchell Johnson's color- and shape-driven paintings exist at the intersection of color theory, art history, nostalgia, and observed experience. His work is in the permanent collections of over 35 museums and has been exhibited alongside that of Milton Avery, Georgia O'Keefe, Wolf Kahn, and Richard Diebenkorn. The legendary art critic Donald Kuspit wrote about Johnson's work in the July 2023 issue of Whitehot Magazine: “Johnson is a master of abstraction, as his oddly constructivist paintings show, but of unconscious feeling, for his geometry serves to contain and with that control the strong feelings implicit in his strong colors. Apart from that, his paintings are art historically important, because they seamlessly fuse abstraction and realism, which Kandinsky tore apart to the detriment of both even as he recognized that they were implicitly inseparable, tied together in a Gordian knot, as they masterfully are in Johnson's paintings.”
View my complete profile
Powered by Blogger.