Mitchell Johnson Archive

Press Clippings and Reviews from 1988-2024

Sunday, June 14, 2015

#19 New York Times T Style Beauty Magazine June 14, 2015


 The first four pages of this issue are an amazing 4 page ad for the Apple Watch and you can see the entire print issue at this New York Times link.

Page 47 of 100

Request an electronic catalog of available paintings: contact@mitchelljohnson.com
Follow new paintings on Instagram.
Read Huff Post article.

Buy Mitchell Johnson book.
Posted by Mitchell Johnson at 7:10 AM No comments:
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Labels: 2015, advertising, adweek, Apple Watch, California artist, design, June 14, landscape painting, Mitchell Johnson, New York Times, T Style Beauty Magazine, The Artist of Silicon Valley

Monday, June 1, 2015

Mitchell Johnson review in Art Ltd magazine June, 2015

This is a review in Art Ltd magazine written by art historian, Rebecca Weller, in 2015 during my retrospective at the Bakersfield Museum of Art in California. 
Posted by Mitchell Johnson at 11:30 AM No comments:
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Labels: 2015, Art Ltd magazine June, Bakersfield Museum of Art, California artist, Mitchell Johnson, review, Truro
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About Mitchell Johnson

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Mitchell Johnson
Mitchell Johnson's color- and shape-driven paintings exist at the intersection of color theory, art history, nostalgia, and observed experience. His work is in the permanent collections of over 35 museums and has been exhibited alongside that of Milton Avery, Georgia O'Keefe, Wolf Kahn, and Richard Diebenkorn. The legendary art critic Donald Kuspit wrote about Johnson's work in the July 2023 issue of Whitehot Magazine: “Johnson is a master of abstraction, as his oddly constructivist paintings show, but of unconscious feeling, for his geometry serves to contain and with that control the strong feelings implicit in his strong colors. Apart from that, his paintings are art historically important, because they seamlessly fuse abstraction and realism, which Kandinsky tore apart to the detriment of both even as he recognized that they were implicitly inseparable, tied together in a Gordian knot, as they masterfully are in Johnson's paintings.”
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