Mitchell Johnson Archive

Press Clippings and Reviews from 1988-2024

Monday, October 26, 2020

New Yorker Magazine October 26, 2020 Inside Front Cover C2 (New Yorker ad #6)

 


These paintings are sold.

Request an electronic catalog of available paintings: mitchell.catalog@gmail.com
Follow new paintings on Instagram.
Read Huff Post article.

Buy Mitchell Johnson book.
Posted by Mitchell Johnson at 11:27 AM No comments:
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Labels: abstract art, California artist, landscape paintings, lifeguard chair, lower east side painting, Mitchell Johnson, New Yorker Magazine, Race Point Beach

Sunday, October 18, 2020

Ad #139 New York Times Magazine October 18, 2020



These paintings are sold.

Request an electronic catalog of available paintings: mitchell.catalog@gmail.com
Follow new paintings on Instagram.
Read Huff Post article.

Buy Mitchell Johnson book.




 

Posted by Mitchell Johnson at 10:30 AM No comments:
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Labels: abstract art, American Art, California artist, contemporary painting, landscape paintings, Mitchell Johnson, New York Times Magazine, North Truro paintings, Race Point beach chairs, Truro painting
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About Mitchell Johnson

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Mitchell Johnson
Mitchell Johnson's color- and shape-driven paintings exist at the intersection of color theory, art history, nostalgia, and observed experience. His work is in the permanent collections of over 35 museums and has been exhibited alongside that of Milton Avery, Georgia O'Keefe, Wolf Kahn, and Richard Diebenkorn. The legendary art critic Donald Kuspit wrote about Johnson's work in the July 2023 issue of Whitehot Magazine: “Johnson is a master of abstraction, as his oddly constructivist paintings show, but of unconscious feeling, for his geometry serves to contain and with that control the strong feelings implicit in his strong colors. Apart from that, his paintings are art historically important, because they seamlessly fuse abstraction and realism, which Kandinsky tore apart to the detriment of both even as he recognized that they were implicitly inseparable, tied together in a Gordian knot, as they masterfully are in Johnson's paintings.”
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      • Ad #139 New York Times Magazine October 18, 2020
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