Monday, November 7, 2022

Mitchell Johnson Truro Painting in the New York Times Magazine February 2, 2020


 

Mitchell Johnson Truro Painting in the October 19, 2019 New York Times Magazine


 

Two Mitchell Johnson Paintings in the September 19, 2022 New York Times Magazine


Request a digital catalog of available work by emailing mitchell.catalog@gmail.com.

 

Mitchell Johnson Lifeguard Stand Painting in the April 28, 2019 New York Times Magazine


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Mitchell Johnson Abstract painting in the February 10, 2019 New York Times Magazine


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Mitchell Johnson Truro Painting in the February 3, 2019 New York Times Magazine


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Mitchell Johnson New York City Rooftop painting and Truro Painting in the January, 2019 WSJ Magazine


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Mitchell Johnson Truro Painting in the December 9, 2018 New York Times Magazine


Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


 

Mitchell Johnson Truro Painting in the December 2, 2018 New York Times Magazine

 



Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Two Mitchell Johnson Truro Paintings in the April 2018 WSJ Magazine



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Two Mitchell Johnson Truro Paintings in the March 2018 WSJ Magazine



Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com




 

Tuesday, August 30, 2022

Mitchell Johnson Nothing and Change exhibit at Truro Center For the Arts at Castle Hill September 7-18, 2022

 


Truro Center for the Arts at Castle Hill is pleased to host its second exhibit of the work of California artist, Mitchell Johnson, September 7-18, 2022. This survey exhibit, titled, Mitchell Johnson Nothing and Change, will span 1990-2022 and includes new paintings from Paris, Newfoundland, New England and New York as well as early work from France, Denmark and North Truro. Artist reception, Thursday, September 8, 4-6pm.

Chris Busa wrote in Provincetown Arts in 2012:

“If many of Johnson's paintings are titled after the places that inspired them, no such places actually exist. Each one is a collage of compressed intimacies spread out over the months it takes to paint them. He has done what Edwin Dickinson called Premier Coup, in which a painting is completed outdoors in one blow. Yet his typical practice is to hold a painting for several months, or more, in the studio, to see if a painting stands the test of repeated looking, often involving the process of memory revision, where a succession of impressions gained over weeks or months is expressed as continuous flow.”

An 80 page exhibition catalog with an essay by the poet, Jesse Nathan, and exhibition posters will be available at Castle Hill.

More info at www.mitchelljohnson.com. Request a digital catalog of available work: mitchell.catalog@gmail.com.

View the 2021 Mitchell Johnson Castle Hill exhibit at ArtForum. Read an extensive interview with Mitchell at Painting Perceptions.

Wednesday, August 17, 2022

Meg Daly's Preview article about Mitchell Johnson Nothing and Change at Truro Center For The Arts in Castle Hill

 

The dates of the Truro exhibit are September 7-18, 2022. Gallery is open daily, noon-5.

Reception is Thursday September 8, 4-6pm. More info at Castle Hill and Mitchell's website.

Request a digital catalog of the exhibit by emailing mitchell.catalog@gmail.com.

Read the article on-line: https://www.americanartcollector.com/issues/203/master-color

Wednesday, August 10, 2022

Truro Painting in May 1, 2022 New York Times Magazine

 


Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Mitchell Johnson Paintings in May, 2022 Foreign Affairs Magazine

 



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Red Sweater Luxembourg Painting on Back cover of April 18, 2022 New Yorker Magazine

 



Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Mitchell Johnson Italian Landscape in the April 17, 2022 New York Times Magazine

 



Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Mitchell Johnson Paris Painting across from The Ethicist in the April 3, 2022 New York Times Magazine

 


Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Wednesday, July 27, 2022

Three Chairs Painting in March, 2022 WSJ Magazine

 



Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Art Scene Los Angeles Review of 2008 Mitchell Johnson exhibit at Terrence Rogers Fine Art

 

"Bornholm," 2008 40x70 inches oil/canvas



It is hard to pull off an Elmer Bischoff sort of look these days without appearing quaint, but Mitchell Johnson manages this. He did not in fact study in the Bay Area but at places like Parsons, the Josef and Anni Albers Foundation, yet the artist is apparently connected enough to the rolling hills of what could be New England that he convincingly presents bird's eye views of the countryside, of farms and wood houses constructed of puzzle pieces of color (one senses an appreciation of Cezanne in Truro). In fact, this is a departure or a tangent for an artist who normally creates abstract work built up of geometric color. What makes this series interesting is the way in which images lace together a brushy, poetic kind of geometry in paint that does not settle in the eye for depictions of nature. Quick, sharp lines and cubes fix farm houses and structures firmly in time. The result is something authentic and felt (especially Bornholm). It does not look like forced or corny gestural realism; there is structure enough that you trust this vision comes from disciplined looking, thought and training (Terence Rogers Fine Art, Santa Monica). 

-ART Scene LA, March, 2008


Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Monday, July 25, 2022

Cap D'Ail Swimming Pool painting in the March 7, 2022 New Yorker Magazine

 



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North Truro (Green Sun) painting in the March 6, 2022 New York Times Magazine across from The Ethicist

 


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Truro and New York City Paintings on the inside back cover of the February Architectural Digest Magazine

 


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Striped Chair Painting in the February 27, 2022 New York Times Magazine

 


Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Friday, July 22, 2022

Truro Green Door Painting in the February, 2022 WSJ Magazine

 


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Truro Green Door Painting in the February 13, 2022 New York Times Magazine

 



Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Paris Painting in February 6, 2022 New York Times Magazine

 



Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Three Chairs Painting in the January 23, 2022 New York Times Magazine

 



Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Paris Painting in the January 16, 2022 New York Times Magazine

 



Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Mitchell Johnson's Paris Painting on back cover of January 17, 2022 New Yorker Magazine

 


Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com


Mitchell Johnson Truro Painting in the January 9, 2022 New York Times Magazine

 



Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com