San Francisco Boxed Notecards is set #7 of seven new Mitchell Johnson notecard sets being released in January, 2025. Each of these seven limited-edition boxed sets of notecards are beautifully designed and feature 20 blank cards of 5 different paintings (4 cards of each) and 20 blank envelopes. The seven themes in this series capture the gamut of places that inspire Johnson's work: Amalfi Coast, North Truro (Cape Cod), Paris, Maine, Race Point (Provincetown), Newfoundland and of course, San Francisco. The photos below, included with each Amazon listing, provide a clear description of the contents of the set you are considering. A biographical flysheet accompanies each set and the colorful notecards are printed on high quality stock and are perfect for writing correspondence and thank you notes. The San Francisco set includes compositions based on views from 1750 Taylor Street (Russian Hill), 555 California Street, Chinatown and the Presidio. Mitchell Johnson moved to Palo Alto, California from New York City in 1990 to work for the artist, Sam Francis. He settled in California after meeting his wife, author/chef Donia Bijan.
Wednesday, January 15, 2025
Wednesday, July 27, 2022
Art Scene Los Angeles Review of 2008 Mitchell Johnson exhibit at Terrence Rogers Fine Art
| "Bornholm," 2008 40x70 inches oil/canvas |
It is hard to pull off an Elmer Bischoff sort of look these days without appearing quaint, but Mitchell Johnson manages this. He did not in fact study in the Bay Area but at places like Parsons, the Josef and Anni Albers Foundation, yet the artist is apparently connected enough to the rolling hills of what could be New England that he convincingly presents bird's eye views of the countryside, of farms and wood houses constructed of puzzle pieces of color (one senses an appreciation of Cezanne in Truro). In fact, this is a departure or a tangent for an artist who normally creates abstract work built up of geometric color. What makes this series interesting is the way in which images lace together a brushy, poetic kind of geometry in paint that does not settle in the eye for depictions of nature. Quick, sharp lines and cubes fix farm houses and structures firmly in time. The result is something authentic and felt (especially Bornholm). It does not look like forced or corny gestural realism; there is structure enough that you trust this vision comes from disciplined looking, thought and training (Terence Rogers Fine Art, Santa Monica).
-ART Scene LA, March, 2008
Request a digital catalog of available paintings by emailing: mitchell.catalog@gmail.com
Monday, July 25, 2022
Friday, July 22, 2022
Tuesday, November 23, 2021
Mitchell Johnson painting "Paris (Green)" in November 21, 2021 New York Times Magazine
This painting is sold. Request a digital catalog of available work by emailing:
mitchell.catalog@gmail.com
Follow on instagram: mitchell_johnson_artist
Read a recent interview at, Painting Perceptions, or listen to an interview on the podcast, I Like Your Work.
Mitchell Johnson Sinalunga Painting in November 14, 2021 New York Times Magazine
This paintings is sold. Request a digital catalog of available work by emailing:
mitchell.catalog@gmail
Follow on instagram: mitchell_johnson_artist
Read a recent interview at, Painting Perceptions, or listen to an interview on the podcast, I Like Your Work.
Two Mitchell Johnson paintings on the backcover of the March 8, 2021 New Yorker Magazine
Both of these paintings are sold. Request a digital catalog of available work by emailing:
mitchell.catalog@gmail
Follow on instagram: mitchell_johnson_artist
Read a recent interview at, Painting Perceptions, or listen to an interview on the podcast, I Like Your Work.
















