Mitchell Johnson Exhibit "Are You Going With Me?" at Res Ipsa Gallery Oakland June, 2012

 

Are You Going With Me?

Known primarily as a colorist working in the vein of the Bay Area Figurative Movement, Mitchell Johnson has for many years simultaneously pursued two distinct bodies of work: one representational and the other purely abstract. Recently, Johnson's work has taken an exciting new turn, combining the two approaches on individual canvases. Are You Going With Me? is the first exhibition of this new body of work.

MITCHELL JOHNSON: No matter where my family was living:

Kansas, New York, Virginia.. whenever I walked in the door after school, I was greeted by the sound of my mother teaching piano. Now that my son Luca plays piano, I am reminded that I grew up with a remarkable range of music around me-from the Beethoven, Handel and Satie that was inevitably there-to the Led Zeppelin and Pat Metheny that I chose on my own. For all of the possibility of color and shape that I explore in my paintings, there is also a powerful influence of music assisting in my efforts to reach new territory. I have named one of the paintings in this show Are You Going with Me? after the 1982 composition from the Pat Metheny Group because of the remarkable journey the painting traveled before reaching its current stasis. Recently, when Luca was practicing "Für Elise" for an upcoming recital, I surprised him (and myself) as I joined him on the piano bench and playfully layered strange notes on top of his piece just as I had done with my mother when I was Luca's age. It occurred to me that the collage of flat colors I have been applying over my landscapes and compositions is the visual equivalent to the strange sounds Luca and I were generating as we made nonsense of Beethoven. We weren't being disrespectful or even trying to be humorous. Instead, there was something very complex, adventurous and exciting about the result, and that was enough.

In these new paintings, the collaged flat areas of color disrupt a literal reading of the landscapes underneath, playing the role of Johnson's improvised random notes over his son's music. While the representational images and color grids battle for prominence, it is difficult to determine whether the color is providing context for the image or the image is providing context for the color.

-Jonathan Ball, Director

Res Ipsa Gallery

May, 2012

John Seed reviewed the exhibit in The Huffington Post.

The printed catalog occasionally shows up at Amazon.